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The Internet Time Travel Database

Circa AD 1970 to 1999

Time Periods

Monsters of Moyen

by Arthur J. Burks

When the U.S. is attacked with monsterous submarine/aeroplanes by the demagogue Moyen, it's up to Professor Mariel to find a way to save the country, possibly even through the manipulation of time itself!
— Michael Main
In this, I have even been compelled to manipulate in the matter of time! I must not only defeat and annihilate the minions of Moyen, but must work from a mathematical absurdity, so that at the moment of impact that moment itself must become part of the past, sufficiently remote to remove the monsters at such distance from the earth that not even the mighty genius of Moyen can return them!

“Monsters of Moyen” by Arthur J. Burks, Astounding Stories of Super-Science, April 1930.

Just Imagine

by B. G. De Sylva, Lew Brown, and Ray Henderson, directed by David Butler

Long before there was R2D2, there were RT-42, J-21, and other humans zipping around in their 1980s-era flying cars, racing off to Mars in their personal rockets, and waking a man named Peterson (or, as they say, “Single O”) who was struck down by lightning fifty years earlier. Alas, this is just a long-sleep story, but still worth listing for its historical value.
— Michael Main
Well, her boss, Dr. X-10, is trying to bring a man to life who’s been dead fifty years!

Just Imagine by B. G. De Sylva, Lew Brown, and Ray Henderson, directed by David Butler (at movie theaters, USA, 23 November 1930).

Journey into Mystery #4

The Bewitched Bike!

by an unknown writer and Tony DiPreta

When small-time crook Spider steals a time-traveling bike, all he can think to make a profit from it is to rob, murder, and escape to the future. No wonder he’s small-time!
— Michael Main
I can be the biggest! I can rob, murder . . . do anything! Then all I have to do is jump on my bike an’ presto, I’m 40 years in the future.

“The Bewitched Bike!” by an unknown writer and Tony DiPreta, in Journey into Mystery #4 (Atlas Comics, December 1952).

Of All Possible Worlds

by William Tenn

Max Alben Mac Albin is genetically predisposed to survive time travel, so he’s the natural choice to go back in time and shift the course of a missile that shifted the course of history.
— Michael Main
Now! Now to make a halfway decent world! Max Alben pulled the little red switch toward him.
flick!
Now! Now to make a halfway interesting world! Mac Albin pulled the little red switch toward him.
flick!

“Of All Possible Worlds” by William Tenn, Galaxy Science Fiction, December 1956.

“—All You Zombies—”

by Robert A. Heinlein

A 25-year-old man, originally born as an orphan girl named Jane, tells his story to a 55-year-old bartender who then recruits him for a time-travel adventure.
— Michael Main
When I opened you, I found a mess. I sent for the Chief of Surgery while I got the baby out, then we held a consultation with you on the table—and worked for hours to salvage what we could. You had two full sets of organs, both immature, but with the female set well enough developed for you to have a baby. They could never be any use to you again, so we took them out and rearranged things so that you can develop properly as a man.

“‘—All You Zombies—’” by Robert A. Heinlein, Magazine of Fantasy and Science Fiction, March 1959.

Unusual Tales #30

A Small Matter of Time

by Joe Gill [?] and Rocco “Rocke” Mastroserio

The title suggests that Professor Amos Shute’s intrepid travelers are going back in time to four planets that are identical in every way to our own, but then again, perhaps those four planets were merely at earlier times to begin with. We won’t say one way or another, but we are glad that the Spanish Flu pandemic, World War I, World War II, and World War III were all averted on some Earth.
— Michael Main
In what time period will you find yourselves when you land at your particular destinatoin!

“A Small Matter of Time” by Joe Gill [?] and Rocco “Rocke” Mastroserio, Unusual Tales #30 (Charlton Comics, October 1961).

Si Morley 1

Time and Again

by Jack Finney

Si goes back to 19th century New York to solve a crime and (of course) fall in love.

This is Janet’s favorite time-travel novel, in which Finney elaborates on themes that were set in earlier stories such as “Double Take.”

— Michael Main
There’s a project. A U.S. government project I guess you’d have to call it. Secret, naturally; as what isn’t in government these days? In my opinion, and that of a handful of others, it’s more important than all the nuclear, space-exploration, satellite, and rocket programs put together, though a hell of a lot smaller. I tell you right off that I can’t even hint what the project is about. And believe me, you’d never guess.

Time and Again by Jack Finney (Simon and Shuster, 1970).

Escape from the Planet of the Apes

by Paul Dehn, directed by Don Taylor

Among the original Apes movies, only this one had true time travel; the others involved only relativistic time dilation, which (as even Dr. Milo knows) is technically not time travel. But in this one, Milo, Cornelius, and Zira are blown back to the time of the original astronauts (given the violence of the explosion, we’re going to call it a time rift) and are persecuted in a 70s made-for-TV manner.
— Michael Main
Given the power to alter the future, have we the right to use it?

Escape from the Planet of the Apes by Paul Dehn, directed by Don Taylor (premiered at an unknown movie theater, Los Angeles, 26 May 1971).

The Utterly Perfect Murder

by Ray Bradbury

A moving story of an outcast boy who continued to feel the pain of how he’d been excluded throughout his adult life. You’ll need to decide for yourself whether time travel creeps in.
— Michael Main
I tossed the few bits of gravel and did the thing that had never been done, ever in my life.

“My Perfect Murder” by Ray Bradbury, in Playboy, August 1971.

Slaughterhouse-Five

by Stephen Geller, directed by George Roy Hill

Billy Pilgrim’s life, unstuck in time, is faithfully brought to the big screen, including the role of fellow patient Mr. Rosewater who, I believe, is reading a Kilgore Trout story.
— Michael Main
I have come unstuck in time.

Slaughterhouse-Five by Stephen Geller, directed by George Roy Hill (at movie theaters, USA, 15 March 1972).

What We Learned from This Morning’s Newspaper

by Robert Silverberg

When all eleven families on Redford Crescent receive a newspaper from the middle of next week, the result is a hastily called neighborhood meeting and an assortment of get-rich-quick plans.
— Michael Main
Which sounds more fantastic? That someone would take the trouble of composing an entire fictional edition of the Times setting it in type printing it and having it delivered or that through some sort of fluke of the fourth dimension we’ve been allowed a peek at next week’s newspaper?

“What We Learned from This Morning’s Newspaper” by Robert Silverberg, in Infinity Four, edited by Robert Hoskins (Lancer Books, November 1972).

Topolino #911

Zio Paperone e la scorribanda nei secoli

English release: Money is the Root of Upheaval Literal: Uncle Scrooge and the scavenger gang through the centuries

by Jerry Siegel, Romano Scarpa, and Sandro Del Conte

After waking an Egyptian pharaoh from a millennia-long sleep, Uncle Scrooge summons Donald and Gearloose, eventually realizing that they can restore the pharoah to his rightful throne via a trip to ancient Egypt in Gearloose’s not-quite-finished time machine. That doesn’t go quite as planned, and on the way home, they manage to turn the future into a money-mint-land or somnethin’?.
— based on Duck Comics Revue
Il veicolo aveva bisogno di una messa a punto! Comunque, siamo sulla “strada” giusta! Tenetevi forte!
Keep your seat belts buckled at all times! In the unlikely event of a water landing, your seat cushion doubles as a flotation device.
English

[ex=bare]“Zio Paperone e la scorribanda nei secoli” | Uncle Scrooge and the scavenger gang through the centuries[/ex] by Jerry Siegel, Romano Scarpa, and Sandro Del Conte, Topolino [Mickey Mouse] #911 (Mondadori, 13 May 1973).

Breckenridge and the Continuum

by Robert Silverberg

Wall Street investor Noel Breckenridge has been summoned to the far future, possibly to tell stories, but is there a larger purpose?
— Michael Main
Am I supposed to tell you a lot of diverting stories? Will I have to serve you six months out of the year, forevermore? Is there some precious object I’m obliged to bring you from the bottom of the sea? Maybe you have a riddle that I’m supposed to answer.

“Breckenridge and the Continuum” by Robert Silverberg, in Showcase, edited by Roger Elwood (Harper and Row, June 1973).

Idaho Transfer

by Thomas Matthiesen, directed by Peter Fonda

A group of secretive scientists develop time travel near Idaho’s Craters of the Moon, discovering a near-future apocalypse. Since anyone much over age 20 can’t survive traveling, they’re in the process of sending a group of young people, including Isa and her withdrawn sister Karen, beyond the apocalypse to rebuild civilization. Things go wrong (not the least of which are the plot, the dialogue, the acting, the sound track, and the requirement that the young Jane Fonda lookalikes must strip to travel through time), but even so, the film has a certain unprepossessing appeal.
— Michael Main
You see, Dad and Lewis are trying to get it together, to secretly transfer a lot of young people into the future, bypassing the eco-crisis or whatever it is. Start a new civilization.

Idaho Transfer by Thomas Matthiesen, directed by Peter Fonda (at movie theaters, USA, 15 June 1973).

Sleeper

by Woody Allen and Marshall Brickman, directed by Woody Allen

Jazz musician Miles Monroe is conscripted into a long sleep and awakened 200 years later.
— Michael Main
Look, you gotta be kidding. I wanna go back to sleep! If I don't get at least 600 years, I'm grouchy all day.

Sleeper by Woody Allen and Marshall Brickman, directed by Woody Allen (at movie theaters, USA, 17 December 1973).

Dinosaur Machines 4

The Day of the Dinosaurs

by Eve Bunting

When one of them pulls the lever on the museum's dinosaur display, three children are transported back to a prehistoric dinosaur land.
— the Library of Congress
Allosaurus stopped as the water rushed over his feet. They could see the bulk of him, his neck and heavy legs; his tail that was flattenedon the sides. He was big as a full grown tree. Then he turned and Joe saw his teeth. They were jagged as steak knives.

“The Day of the Dinosaurs” by Eve Bunting (EMC, 1975).

Dinosaur Machines 3

Death of a Dinosaur

by Eve Bunting

Carmen, Joe, and Riley go back through time once more to witness the end of the dinosaurs.
— the Library of Congress

“Death of a Dinosaur” by Eve Bunting (EMC, 1975).

Dinosaur Machines 2

The Dinosaur Trap

by Eve Bunting

Joe and Riley go back to dinosaur land determined to bring back Carmen who stayed behind on their last trip. [Whew!]
— the Library of Congress

“The Dinosaur Trap” by Eve Bunting (EMC, 1975).

Dinosaur Machines 1

Escape from Tyrannosaurus

by Eve Bunting

Kids today are pandered to way too much in that every book they’re given to read presents an unrealistically rosie view of life. No, that’s not for me! Give my kids the harsh reality of life and time travel! Case in point: Three kids travel to the Cretcaeous where they meet a T. rex. Two return.
— Michael Main

“Escape from Tyrannosaurus” by Eve Bunting (EMC, 1975).

Trips

by Robert Silverberg

Silverberg’s introduction to “Trip” in the collection Trips, vol. 4 of the Collected Stories of Robert Silverberg (Subterranean Press, 2009), states that he wrote the story with the goal of being the ultimate alternative universes story, and he lived up to that goal, devising nearly a dozen alternative Bay Area universes for his hero Cameron to express his wanderlust. Admittedly, there’s no actual time travel because the story was part of an anthology of ultimate sf, and Silverberg left the time travelin’ to Philip K. Dick’s “A Little Something for Us Tempunauts.” But there is a world that Cameron thinks is a 1950s San Francisco (it isn’t) and there’s a chance that Cameron experiences the passage of time at rates that differ from world to world.

Warning: The first publication of the story in that ultimate anthology (Final Stage: The Ultimate Science Fiction Anthology) was “cut to shreds” by a ham-handed editor at Charterhouse, so your best bet is to read it in one of Silverberg’s later collections.

— Michael Main
There’s an infinity of worlds, Elizabeth, side by side, worlds in which all possible variations of every possible event take place. Worlds in which you and I are happily married, in which you and I have been married and divorced, in which you and I don’t exist, in which you exist and I don’t, in which we meet and loathe one another, in which—in which—do you see, Elizabeth, there's a world for everything, and I’ve been traveling from world to world.

“Trips” by Robert Silverberg, in The Feast of St. Dionysus (Charles Scribner’s Sons, March 1975).

A String in the Harp

by Nancy Bond

Twelve-year-old Peter Morgan is not happy about being uprooted from Massachusetts and hauled off to a tiny coastal hamlet in Wales, but he is fascinated by the ancient harp key that he finds wedged between two cracks on a dike. Oh, did I mention that the key is magic, letting him (and eventually other children) see the legendary Welsh bard Taliesin?
— Michael Main
I can tell you that the things you have seen and explained with reason could fit the story of Taliesin, though your sister would rather not hear it.

A String in the Harp by Nancy Bond (Margaret K. McElderry, 1976).

The Nonsuch Lure

by Mary Luke

— based on publicity material
Timothy spoke. “Are you there? In 1536?” He avoided using Andrew’s name. If there was to be an answer, any name would be unfamiliar at the moment. “Do you wish to tell me, my friend, what you see?”

The Nonsuch Lure by Mary Luke (Coward, McCann and Geoghegan, September 1976).

Time Travelers

by Jackson Gillis, directed by Alexander Singer

ABC-TV picked up this failed pilot (a proposed revival of The Time Tunnel) and aired it as a made-for-TV movie in which Dr. Clinton Earnshaw and his government-sent sidekick Jeff Adams venture back to 1871 to track down a cure for a modern-day epidemic.
— Michael Main
He didn’t tell you that we do time research here? That you’re going to travel back in time to 1871?

Time Travelers by Jackson Gillis, directed by Alexander Singer (ABC-TV, USA, 19 March 1976).

The Pursuit of the Pankera

by Robert A. Heinlein

The 2020 posthumous publication of this 1977 manscript shows us Heinlein’s first forey into the multiperson solipsism of semi-mad scientist Jake Burroughs, his beautiful daughter Deety, her strong love interest Zeb Carter, Hilda Corners and their time/dimension-traveling ship Gay Deceiver. In all, the earlier manuscript has three adventures that were significantly changed in his eventual 1980 publication of the work, retitled as The Number of the Beast:
  1. In Pankera, the Mars Ten actually is Barsoom where the gang meets the Princess of Mars and others, while in Beast, Mars Ten is a relatively boring futuristic British Mars.
  2. Pankera has a long adventure in the Lensman universe, while Beast has only a few pages.
  3. Pankera’s ending is a 30-page, rushed description of how they plan to launch a major war against the Panki, while Beast’s 130-page ending takes the gang to the universe of Dora and Lazurus Long where they rescue Maureen from the past and are joined by a passel of Heinlein’s characters.
In both books, Gay Deceiver can clearly travel through any one of three time axes at will, although that ability is largely ignored apart from Maureen’s rescue in Beast. Because of this, we had a fierce debate up in the ITTDB Citadel about whether to even include Pankera in the database. In the end, we decided yes, marking it as the parent work of Beast, but on account of no easily recognizable time travel, we also marked it as having only debatable time travel.
— Michael Main
Sharpie, you have just invented multiperson solipsism. I didn’t think that was mathematically possible.

Six-Six-Six by Robert A. Heinlein, unpublished, 1977.

Dead of Night [segment 1]

Second Chance

by Richard Matheson, directed by Dan Curtis

For the first of three short segments of the TV movie Dead of Night, Richard Matheson wrote this adaptation of Jack Finney’s 1956 story “Second Chance” where a college student lovingly restores a 1920s-era Jordan Playboy roadster and takes it back in time.
— Michael Main
I remember what someone once said; I think it was Einstein or somebody like that. He compared time to a winding river, with all of us in a boat drifting along between two high banks. And we can’t see the future beyond the next curve or the past beyond the curves in back of us, but it’s all still there, as real as the moment around us. To which I now add my own theory . . . that you can’t drive into the past in a modern car because there were no modern cars back then, and you can’t drive into 1926 along a four-lane superhighway, but my car and I—the way I felt about it anyway—were literally rejected that night by our own time.

Second Chance by Richard Matheson, directed by Dan Curtis (NBC-TV, USA, 29 March 1977).

The Mirror

by Marlys Millhiser

In 1978, a 20-year-old Boulder woman exchanges places with her grandmother in 1900 on the eve of their respective weddings.
— Michael Main
He thought she wouldn’t answer but finally she said, “What if I can’t go back? What if I have to live out Brandy’s life? She lives an awfully long time, Corbin.”

The Mirror by Marlys Millhiser (G. P. Putnam’s Sons, 1978).

Jubilee

written and directed by Derek Jarman

In this early punk movie, John Dee, advisor to Queen Elizabeth I, calls forth the spirit Ariel who transports Dee and the queen to an anarchistic and largely unintelligible) England not far beyond the 1970s.
— Michael Main
Now shall one king rise up against another. And there shall be bloodshed throughout the whole world, fighting between the devil, his kingdom, and the kingdom of light.

Jubilee written and directed by Derek Jarman (at movie theaters, UK, February 1978).

The Time Machine

by Wallace Bennett, directed by Henning Schellerup

For me, the update to the 1970s took this made-for-TV movie too far away from the original novel. For example, the Traveller (now a rocket scientist called Neil Perry) explains the workings of the machine with gibberish, whereas the original Traveller expressed himself with up-to-date mathematical terminology. The travel to the Salem witch trials and the California gold rush were also off the mark, as was the dreamy Weena who immediately speaks English.
— Michael Main
Well, in principle, it utilizes a electromagnetic force field to molecularly reconstruct the space-time continuum.

The Time Machine by Wallace Bennett, directed by Henning Schellerup (NBC-TV, USA, 5 November 1978).

The Day Time Ended

by Wayne Schmidt, J. Larry Carroll, and David Schmoeller, directed by John “Bud” Cardos

After an hour or so of mundane conversation and weird happenings—a triple supernova, a UFO, a tiny mannequin/alien, and creepy lights, and alien monsters transporting in and out—the Williams family and their horses are transported through a time-space warp to an unknown time for the other twenty minutes of the movie. (The creepy lights stick around, too.) It’s hard to tell for sure, but I think they’re going to live out their lives amongst the weird lights and crystal structures of this new time.
— Michael Main
Steve, you know what this is, don’t cha? It’s a time-space warp.

The Day Time Ended by Wayne Schmidt, J. Larry Carroll, and David Schmoeller, directed by John “Bud” Cardos (Paris Festival of Fantastic Films, circa March 1979).

Time after Time

written and directed by Nicholas Meyer

Apart from the hero in The Time Machine movie (1960), this is the earliest that I’ve seen of the H.G.‑Wells-as-time-traveler subgenre. Our hero chases Jack the Ripper into the 20th century.
— Michael Main
Ninety years ago I was a freak; today I am an amateur.

Time after Time written and directed by Nicholas Meyer (Toronto International Film Festival, 7 September 1979).

Closing the Timelid

by Orson Scott Card

Centuries in the future, Orion throws an illicit party in which the partygoers get to experience complete death in the past.
— Michael Main
Ah, agony in a tearing that made him feel, for the first time, every particle of his body as it screamed in pain.

“Closing the Timelid” by Orson Scott Card, Magazine of Fantasy and Science Fiction, December 1979.

The Number of the Beast

by Robert A. Heinlein

Semi-mad scientist Jake Burroughs, his beautiful daughter Deety, her strong love interest Zeb Carter, Hilda Corners (“Aunt Hilda” if you prefer) and their time/dimension-traveling ship Gay Deceiver yak and smooch their way though many time periods in many universes (including that of Lazurus Long), soon realizing the true nature of the world as pantheistic multiperson solipsism.

In Heinlein’s first version of this novel, written in 1977, the middle third of the story takes place on Barsoom, but in the 1980 published version, Barsoom was replaced by a futuristic British Mars

— Michael Main
Sharpie, you have just invented multiperson solipsism. I didn’t think that was mathematically possible.

The Number of the Beast by Robert A. Heinlein (Fawcett Columbine, 1980).

The Final Countdown

by David Ambrose et al. , directed by Don Taylor

Observer Warren Lasky is aboard the U.S.S. Nimitz when a storm takes the carrier back to the day before the Japanese attack on Pearl Harbor. Should they prevent the attack? What will be the consequences of saving a politician who may become Roosevelt’s running mate? Then the ship is returned to the present before they can do anything vaguely cool.
— Michael Main
Today is December 7, 1941. I’m sure we are all aware of the significance of this date in this place in history. We are going to fight a battle that was lost before most of you were born. This time, with God’s help, it’s going to be different. . . . Good Luck.

The Final Countdown by David Ambrose et al. , directed by Don Taylor (premiered at an unknown movie theater, London, 21 May 1980).

A Touch of Petulance

by Ray Bradbury

On his way home on the train, Jonathan Hughes meets Jonathan Hughes + 20 years and receives a warning that his marriage to a lovely young bride will end in murder.
— Michael Main
Me, thought the young man. Why, that old man is . . . me.

“A Touch of Petulance” by Ray Bradbury, in Dark Forces, edited by Kirby McCauley (The Viking Press, August 1980).

Somewhere in Time

by Richard Matheson, directed by Jeannot Szwarc

An elderly woman presses a pocket watch into a man’s hand, beseeching him to come back to her, and eventually) he does come back to her. We count this as science fiction rather than fantasy because of Professor Finney(!)’s attempt at an explanation of time travel via self-hypnosis, similar to the method in Jack Finney’s Time and Again (1970). In addition, the film may contain the first example of a looping artifact with no beginning and no end.

Wayne Winsett, owner of Time Warp Comics, tells me that this is his favorite time travel movie. Wayne is not alone in his assessment of Christopher Reeve and Jane Seymour, as the film now enjoys a mild cult following.

— Michael Main
Come back to me.

Somewhere in Time by Richard Matheson, directed by Jeannot Szwarc (at movie theaters, USA, 3 October 1980).

Time Bandits

by Michael Palin and Terry Gilliam, directed by Terry Gilliam

A boy’s bedroom is invaded by six dwarves who have stolen The Supreme Being’s map, which naturally leads both boy and dwarves on adventures through time.
— Michael Main
Is it all ready? Right. Come on then. Back to creation. We mustn’t waste any more time. They’ll think I’ve lost control again and put it all down to evolution.

Time Bandits by Michael Palin and Terry Gilliam, directed by Terry Gilliam (at movie theaters, USA, 16 July 1981).

Unsound Variations

by George R. R. Martin

Peter Norten and his wife Kathy already had a rocky marriage before heading up to Bruce Bunnish’s Colorado mansion for a ten-year reunion with Bruce and two other members of the Northwestern University B Team that Peter captained to a near-win at the North American Intercollegiate Team Chess Championship. But will Peter and Kathy’s marriage survive the trip, and just how did Bruce end up as the only member of the team to go on to success?
— Michael Main
Time is said to be the fourth dimension, but it differs from the other three in one conspicuous way—our consciousness moves along it. From past to present only, alas. Time itselfdoes not flow, no more than, say, width can flow. Our minds flicker from one instant of time to the next. This analogy was my starting point. I reasoned that if consciousness can move in one direction, it can move in the other direction as well. It took me fifty years to work out the details, however, and make what I call a flashback possible.

“Unsound Variations” by George R. R. Martin, in Amazing Science Fiction Stories, January 1982.

Timerider: The Adventure of Lyle Swann

by William Dear and Michael Nesmith, directed by William Dear

Now that I know that one of the Monkees wrote this time-travel yarn of a dirtbiker riding his motorcycle through a time portal and into the Old West, the universe begins to make sense.
— Michael Main
You shot it. What a bunch of dumb sons of bitches. You shot it—a machine, you butt-heads!

Timerider: The Adventure of Lyle Swann by William Dear and Michael Nesmith, directed by William Dear (premiered at an unknown movie theater, Austin, Texas, 27 August 1982).

Twilight Zone: The Movie

Time Out

written and directed by John Landis

The Twilight Zone anthology movie reprises three of the original show’s stories along with one new story, “Time Out” by John Landis, in which disgruntled bigot Bill Connor finds himself as a Jew in World War II German occupied Europe, a black man facing the clan in mid-20th century America, and a man in a Vietnamese jungle during the Second Indochina War.
— Michael Main
Ray, help! Larry! It’s me!

“Time Out” written and directed by John Landis (at movie theaters, USA, 24 June 1983).

The Toynbee Convector

by Ray Bradbury

You’ll enjoy this story, but I’ll give away no more beyond the quote below. By the way, if you get the original publication, you’ll also see Kurt Vonnegut and Marilyn Monroe.
— Michael Main
What can I do to save us from ourselves? How to save my friends, my city, my state, my country, the entire world from this obsession with doom? Well, it was in my library late one night that my hand, searching along shelves, touched at last on an old and beloved book by H. G. Wells. His time device called, ghostlike, down the years. I heard! I understood. I truly listened. Then I blueprinted. I built. I traveled [. . .]

“The Toynbee Convector” by Ray Bradbury, Playboy,January 1984.

The Philadelphia Experiment I

The Philadelphia Experiment

by Michael Janover and William Gray, directed by Stewart Raffill

Seaman David Herdeg and his pal are thrown from 1943 to 1984 during a naval experiment gone awry, and in that future, David is the only one who can save a missing town (provided he can dodge enough bullets and perhaps win the heart of Allison Hayes).
— Michael Main
Navy owes me 40 years back pay.

The Philadelphia Experiment by Michael Janover and William Gray, directed by Stewart Raffill (at movie theaters, USA, 3 August 1984).

The Adventures of Buckaroo Banzai across the 8th Dimension

by Earl Mac Rauch, directed by W.D. Richter

Banzaiers keep writing to the ITTDB Citadel, telling us to add this cult movie to our database (or else we should prepare ourselves for the unexpected, as He would). We finally gave in to keep them from banzaiing us, but alas, oscillation overthruster ≠ flux capacitor, and the rock-musician-neurosurgeon-particle-physicist Banzai merely travels through all the dimensions except time.
— Michael Main
May I pass along my congratulations for your great interdimensional breakthrough. I am sure, in the miserable annals of the Earth, you will be duly enshrined.

The Adventures of Buckaroo Banzai across the 8th Dimension by Earl Mac Rauch, directed by W.D. Richter (at limited movie theaters, USA, 10 August 1984).

Terminator 1

The Terminator

by James Cameron and Gale Anne Hurd, directed by James Cameron

Artificially intelligent machines from 2029 send a killer cyborg back to 1984 to kill Sara Connor because, in 2029, her son John will lead the resistance against the machines’ rule.

The story has a classic self-defeating act: The Terminator goes back in time to kill Sara Connor, causing Kyle Reese to follow and become romantic with Sara Connor, causing John Connor to be born and eventually lead the revolution, causing the Terminator to go back in time to kill Sara Connor, . . .

— Michael Main
Kyle: [to Sarah at the Tech-Noir Club] Come with me if you want to live.

The Terminator by James Cameron and Gale Anne Hurd, directed by James Cameron (at movie theaters, USA, 26 October 1984).

Non ci resta che piangere

Literal: We just have to cry

by Roberto Benigni, Giuseppe Bertolucci, and Massimo Troisi, directed by Roberto Benigni and Massimo Troisi

While stranded in a thunderstorm in Tuscany, lifelong friends Mario and Saverrio find themselves unexpectedly in 1492, whereupon they fall in love a few times, pretend to be the composer of “Yesterday” and other modern-day hits, and come to the conclusion that they must stop Columbus from discovering America (either to prevent the genocide of the Native Americans or to prevent Mario’s sister from having her heart broken, depending on who you believe), and try rather pitifully to explain trains and other modern marvels to da Vinci, including a proposal to split the proceeds “thirty-three, thirty-three, and thirty-three!”

An extended director’s cut also expands the story of one of their heartthrob-esse, an Amazon named Astriaha[/ex], but we don’t know the details of its release or whether an English-subtitled release of the film exists.

— based on Wikipedia
Trentatré, trentatré e trentatré!
Thirty-three, thirty-three, and thirty-three.
English

Non ci resta che piangere by Roberto Benigni, Giuseppe Bertolucci, and Massimo Troisi, directed by Roberto Benigni and Massimo Troisi (at movie theaters, Italy, 20 December 1984).

Merlin and the Sword

by David Wyles, directed by Clive Donner

When Katherine Davidson falls into an underground ice cave beneath Stonehenge, she finds that Merlin and his lover Niniane have been trapped there for a millennium, whereupon Merlin and Niniane proceed to show Katherine the story of how Morgan le Fay trapped them.
— Michael Main
Love cancels all curses, love breaks all spells. Love is a magic greater than any wizard or witch, warlock or shaman.

Merlin and the Sword by David Wyles, directed by Clive Donner (at limited theaters, Davao, Phillipines, 5 January 1985).

The Ray Bradbury Theater (s01e02)

The Playground

by Ray Bradbury, directed by William Fruet

Charles visits his boyhood playground, at first on his own and then with his own son. There, he sees Ralph, the bully who tormented him, who’s still a boy and who still seems to be tormenting Charlie.

Perhaps Ralph was meant to be a ghost bully, perhaps the curly haired boy is young Charlie, perhaps Charlie switches bodies with his own son, or perhaps there’s time travel invovled. We doubt that even Captain Kirk could sort out all those perhapses in this TV version of Ray Bradbury’s story starring William Shatner. But clarity can be had if you read the original story, which takes about the same amount of time as watching the TV episode but shows the rich inner life of Charles Underwood and leaves no ambiguity about what’s up with “Ralph.”

— Michael Main
Ralph? The bully. When I was a kid, he used to wait for me on the corner every day.

The Ray Bradbury Theater (s01e02), “The Playground” by Ray Bradbury, directed by William Fruet (HBO, USA, 4 June 1985).

Back to the Future I

Back to the Future

by Robert Zemeckis and Bob Gale, directed by Robert Zemeckis

Typical skateboarding teenager Marty McFly meets Doc Brown for the first test of his DeLorean time machine, but when Libyan terrorists strike, things go awry, Marty and the DeLorean end up in 1955 where his parents are teens, and the Doc of 1955 must now send Marty back to the future.
— Michael Main
Next Saturday night, we’re sending you . . . back to the future!

Back to the Future by Robert Zemeckis and Bob Gale, directed by Robert Zemeckis (at movie theaters, USA, 3 July 1985).

My Science Project

written and directed by Jonathan R. Betuel

Not even the support of a young Fisher Stevens (Gary’s friend Chuck from Early Edition) could rescue this story of a high school motorhead who steals a power-sucking, space-time transforming orb from a military base for his science project.
— Michael Main
Now that sounds like we’re dealing with a time-space warp.

My Science Project written and directed by Jonathan R. Betuel (at movie theaters, USA, 9 August 1985).

The Pure Product

by John Kessel

A cynical sociopath from the future goes on a crime spree (sometimes with random blood, sometimes with trite tripping on his future drugs) across 20th-century North America.
— Michael Main
“I said, have you got something going,” she repeated, still with the accent—the accent of my own time.

“The Pure Product” by John Kessel, in Asimov’s Science Fiction, March 1986.

Peggy Sue Got Married

by Jerry Leichtling and Arlene Sarner, directed by Francis Ford Coppola

Middle-aged Peggy Sue has two grown children and an adulterous husband whom she married at 18, so will she do things the same when she finds herself back in 1960 in her senior year of high school?
— Michael Main
Well, Mr Snelgrove, I happen to know that in the future I will not have the slightest use for algebra, and I speak from experience.

Peggy Sue Got Married by Jerry Leichtling and Arlene Sarner, directed by Francis Ford Coppola (New York Film Festival, 5 October 1986).

Star TrekIV

Star Trek IV: The Voyage Home

by Steve Meerson et al. , directed by Leonard Nimoy

As the brave crew of the Enterprise are returning to Earth on a Klingon Bird of Prey to stand trial for the events of the previous movie, Spock determines that Earth’s demise is imminent unless they can return to 1986 and retrieve a humpback whale (which they proceed to do).

I saw this in the theater with Deb Baker and Jon Shultis during a winter trip to Pittsburgh for a small computer science education conference.

— Michael Main
McCoy: You realize that by giving him the formula you’re altering the future.
Scotty: Why? How do we know he didn’t invent the thing?

Star Trek IV: The Voyage Home by Steve Meerson et al. , directed by Leonard Nimoy (at movie theaters, Canada, 21 November 1986).

from The Teacher of Symmetry Cycle

Фотография Пушкин (1799–2099)

Fotografiya Pushkin (1799–2099) English release: Pushkin’s Photograph (1799–2099) Literal: Pushkin’s photograph (1799–2099)

by Андре́й Би́тов

In 1985, an author has visions of a time traveler named Igor from 2099. The traveler is being sent by his comrades in the domed city of St. Petersburg back to the 19th century, where he is tasked with capturing images and audio of motherland’s supreme father of poetry, Alexander Sergeyevich Pushkin.

Note: A dissertation by [ex=bare]Гулиус Наталья Сергеевна | Gulius Natalya Sergeevna[/ex] notes that this story is part of Bitov’s Teacher of Symmetry Cycle, which consisted of a series of avant-garde stories purportedly written by an obscure Englishman named [ex=bare]Э. Тайрд-Боффин | A. Tired-Boffin[/ex] and loosely translated to Russian by Bitov. The English version of “Fotografiya Pushkin (1799–2099)” was said to have been called “Shakespeare’s Photograph” (or possibly “Stern’s Laughter” or “Swift’s Pill”), and presumably it was about Shakespeare rather than Pushkin.

Sergeevna explains that all this artistic mystification was part of an extensive footnote to “Fotografiya Pushkin (1799–2099),” but up in the ITTDB Citadel, we’ve yet to track down the footnote. Perhaps it was part of the 1987 publication in [ex=bare]Знамя || Znamia[/ex], or maybe it did not appear until the story was published along with the rest of the cycle in Bitov’s 1988 collection, [ex=bare]Человек в пейзаже | Man in the landscape | Chelovek v peyzazhe[/ex]. It is not listed in the table of contents of [ex=bare]Преподаватель симметрии ] | | Prepodavatelʹ simmetrii[/ex](2008), which was translated to English as Symmetry Teacher (2014).

— Michael Main
. . . мы сможем в будущем, и не таком, господа-товарищи, далеком, заснять всю жизнь Пушкина скрытой камерой, записать его гол . . . представляете, какое это будет счастье, когда каждый школьник сможет услышать, как Пушкин читает собственные стихи!
. . . we will be able in the future, and, gentlemen-comrades, not such a distant one, to photograph Pushkin’s entire life with a hidden camera, record his voice . . . imagine how wonderful it will be when every schoolboy will be able to hear Pushkin read his own poetry!
English

[ex=bare]Фотография Пушкин (1799–2099) | Pushkin’s Photograph (1799–2099) | “Fotografiya Pushkin (1799–2099)”[/ex] by Андре́й Би́тов, [ex=bare]Знамя || Znamia[/ex], January 1987.

Timestalkers

by Brian Clemens, directed by Michael Schultz

After the death of his wife and child, Dr. Scott McKenzie stumbles upon a tintype photograph from the Old West showing three corpses, a shooter, and a modern Magnum 357, leading him to develop a theory of time travel that is confirmed when a beautiful woman from the future appears and takes him back to the Old West to chase the shooter, save President Cleveland, and pursue other obvious plot developments.

Spoiler: At the end, I believe that Georgia uses her time crystal to send Scott back for a do-over on the day of his family’s death. This is disappointing since up until that point, the film has set up a perfect example of a single, nonbranching timeline.

— Michael Main
What if Cole came back to set off a chain of events that would eventually destroy the one man who stood in his way?

Timestalkers by Brian Clemens, directed by Michael Schultz (CBS-TV, USA, 10 March 1987).

from The Teacher of Symmetry Cycle

Преподаватель симметрии

Prepodavatelʹ simmetrii Literal: Teacher of symmetry

by Андре́й Би́тов

Based on a review at the Modern Novel website, part of this story involves the devil showing photographs of the future to a man named Vanoski (an obscure author from the 1930s). So, we’ve got photos-from-the-future, but no actual time travel. However, there is time travel in another story (“Fotografiya Pushkin (1799–2099)”) from the Teacher of Symmetry Cycle. And just to pile satire on top of satire, the 16 stories in the cycle were purportedly written by an obscure Englishman named A. Tired-Boffin, and Bitov was merely the humble messenger who provided translations of these lost gems into Russian.

Also, according to Fantlab[/b] and Labirint, this is the central story of Bitov’s Teacher of Symmetry Cycle, which consists of 16 of avant-garde stories by an unknown English author, A. Tired-Boffin (1859–1937). Bitov purportedly found and translated some of these stories to Russian.

Итак, на фотографии был бесспорно я, и мое будущее лицо мне нравилось и подходило, но чем же оно тогда было так искажено?
So, it was undeniably me in the photograph, and I liked and suited my future face, but why was it so distorted then?
English

[ex=bare]Преподаватель симметрии | The Teacher of Symmetry | “Prepodavatelʹ simmetrii”[/ex] by Андре́й Би́тов, [ex=bare]Юность || Yunostʹ[/ex], April 1987.

Forever Yours, Anna

by Kate Wilhelm

Handwriting expert Gordon Siles becomes obsessed with four censored letters written by a woman named Anna to an introverted scientist whose missing research results may have national security implications.
— Michael Main
It should have ended there, Gordon knew, but it did not end. Where are you, Anna? he thought at the world being swampted in cold rain. Why hadn’t shecome forward, attended the funeral, turned in the papers?

“Forever Yours, Anna” by Kate Wilhelm, Omni, July 1987.

The Time Guardian

by John Baxter and Brian Hannant, directed by Brian Hannant

When terminatoresque cyborgs attack a future Australian city (headed by Quantum Leap’s favorite scoundrel, Dean Stockwell, and defended by everyone’s favorite princess, Carrie Fisher), the scientists take them all back to 1988—a fine plan until the evil cyborgs follow.
— Michael Main
One city attempted to escape their onslaught by unraveling the secrets of time and travelling back in a desperate search for a safer age . . . they succeeded and time was their friend until the arrival yet again of their relentless enemy.

The Time Guardian by John Baxter and Brian Hannant, directed by Brian Hannant (at movie theaters, Australia, 3 December 1987).

Future Past

by Michael McGennan, directed by Rob Stewart

While working at his extravagant computer, computer whiz-kid Harlan, comes into contact with a group from the future including a fairly absurd professor. What happens is that a young man comes from the future back to the present and appears to be Harlan's grown self—a self-centred and smug exploitive man. The two clash while the professor tries to get the old Harlan back to the future.
— based on Peter Malone’s film reviews

Future Past by Michael McGennan, directed by Rob Stewart (Nine Network, Australia, circa 1987).

The Turning Point

by Isaac Asimov

In exactly 100 words, Madison goes back in time to meet himself at the turning point of his young life.

Thanks to Marc Richardson for sending this one to me.

— Michael Main
He was a clerk.

“The Turning Point” by Isaac Asimov, in The Drabble Project, edited by Rob Meades and David B. Wake (Beccon Publications, April 1988).

The Ray Bradbury Theater (s02e10)

Tyrannosaurus Rex

by Ray Bradbury, directed by Gilles Béhat

It’s hard to believe with a title like this, but just like Bradbury’s original “Tyrannosaurus Rex,” this adaptation for TV had no time travel.
— Michael Main
My beauties. Not alive, but alive. Dead, but not dead. Clay and then liquid rubber. Yes, oh yes. I moved you and then frame by frame photographed you.

The Ray Bradbury Theater (s02e10), “Tyrannosaurus Rex” by Ray Bradbury, directed by Gilles Béhat (HBO, USA, 14 May 1988).

Waxwork I

Waxwork

written and directed by Anthony Hickox

This first of the two Waxwork horror films has secondary worlds, but no time travel. Move along to Waxwork II.
— Michael Main
I hear you were having drinks with the butler the other night. Now, you know that sort of thing leads to anarchy.

Waxwork written and directed by Anthony Hickox (at movie theaters, USA, 17 June 1988).

The Navigator: A Medieval Odyssey

by Geoff Chapple, Kely Lyons, and Vincent Ward, directed by Vincent Ward

To ward off the Black Death, young Griffin, local hero Connor, and others from their village plan to dig a hole through the Earth where they’ll give an offering to the powers that be, but instead, they end up digging a tunnel to a marvelous twentieth-century city.
— Michael Main
Think how much power you’d need for all that!

The Navigator: A Medieval Odyssey by Geoff Chapple, Kely Lyons, and Vincent Ward, directed by Vincent Ward (Toronto International Film Festival, 16 September 1988).

Ripples in the Dirac Sea

by Geoffrey A. Landis

A physics guy invents a time machine that can go only backward and must always return the traveler to the exact same present from which he left.
— Michael Main
  1. Travel is possible only into the past.
  2. The object transported will return to exactly the time and place of departure.
  3. It is not possible to bring objects from the past to the present.
  4. Actions in the past cannot change the present.

“Ripples in the Dirac Sea” by Geoffrey A. Landis, in Asimov’s Science Fiction, October 1988.

Bill & Ted I

Bill and Ted’s Excellent Adventure

by Chris Matheson and Ed Solomon, directed by Stephen Herek

The Two Great Ones, Bill S. Preston, Esq., and Ted “Theodore” Logan, are the subjects of time-traveler Rufus’s mission, but instead they end up using his machine to write a history report to save their band, Wyld Stallyns.
— Michael Main
Most excellent!

Bill and Ted’s Excellent Adventure by Chris Matheson and Ed Solomon, directed by Stephen Herek (at movie theaters, USA, 17 February 1989).

Quantum Leap (s01e01–02)

Genesis

by Donald P. Bellisario, directed by David Hemmings

Physicist and all-around good guy Sam Beckett rushes his time machine into production—funding is about to be cut!—and as a consequence, he leaps into the life of a USAF test pilot, where Sam and his holographic cohort Al have a moral mission. And after setting things right in that pilot’s life, Sam—“oh, boy”—takes a few moments to win the big baseball game in 1968.
— Inmate Jan
One end of this string represents your birth, the other end your death. You tie the ends together, and your life is a loop. Ball the loop, and the days of your life touch each other out of sequence, therefore leaping to one point in the string to another . . .

Quantum Leap (s01e01–02), “Genesis” by Donald P. Bellisario, directed by David Hemmings (26 March 1989) [double-length broadcast].

Quantum Leap (s01e03)

Star-Crossed

by Deborah Pratt, directed by Mark Sobel

Why would anybody leap into English Professor Gerald Bryant during June 1972? Sam is certain that his mission is to he can reconcile his own future quantum physicist girlfriend with her father so that her fear of commitment won’t cause her to leave Sam at the alter in another twelve years.
— Michael Main
Don’t ya see, Al? I’m here to give Donna and I a second chance.

Quantum Leap (s01e03), “Star-Crossed” by Deborah Pratt, directed by Mark Sobel (NBC-TV, USA, 31 March 1989).

Field of Dreams

written and directed by Phil Alden Robinson

Corn farmer Ray Kinsella is called to build a ballpark in his cornfield; once the field is built, various ballplayers from the past come. The players seem more like ghosts who regard the field as their heaven rather than time travelers, so the actual time travel element is slight, arising from a walk when Ray slips into 1972.
— Michael Main
If you build it, they will come.

Field of Dreams written and directed by Phil Alden Robinson (at limited movie theaters, USA, 21 April 1989).

Warlock I

Warlock

by David Twohy, directed by Steve Miner

A captured warlock in 1691 Massachusetts is thrown forward 300 years to Los Angeles with warlock-hunter Giles Redferne in hot pursuit. Twentieth century chase ensues with pretty nurse Kassandra aiding the hunter.
— Michael Main
A grand grimore? Here? Now?

Warlock by David Twohy, directed by Steve Miner (Cannes Film Festival, May 1989).

The Ray Bradbury Theater (s03e03)

The Lake

by Ray Bradbury, directed by Pat Robins

The TV adaptation of Bradbury’s “The Lake” focuses more on the adult man, who’s now thirty-something Doug, but the story structure and pathos of his lost childhood love remain intact.
— Michael Main
If I finish it, will you come?

The Ray Bradbury Theater (s03e03), “The Lake” by Ray Bradbury, directed by Pat Robins (USA Network, 21 July 1989).

Millennium

by John Varley, directed by Michael Anderson

Cheryl Ladd plays Louise Baltimore opposite Kris Kristopherson’s Bill Smith in this movie adaptation of Varley’s novel (1983), although on-screen credit is given only to his earlier short story “Air Raid” (1977).
— Michael Main
For one thing, paradoxes can occur. Say you build a time machine, go backwards in time and murder your father when he was ten years old. That means you were never born. And if you were never born, how did you build the time machine? Paradox! It's the possibility of wiping out your own existence that makes most people rule out time-travel. Still, why not? If you were careful, you could do it.

Millennium by John Varley, directed by Michael Anderson (at movie theaters, West Germany, 24 August 1989).

Quantum Leap (s02e02)

Disco Inferno

by Paul Brown, directed by Gilbert Shilton

Sam finds out what it’s like to be a stuntman in a family with broken dynamics and (to him but not Al) in an era with broken music.
— Michael Main
Disco’s not gonna last forever. I got a feeling it’s probably gonna die in a couple of years.

Quantum Leap (s02e02), “Disco Inferno” by Paul Brown, directed by Gilbert Shilton (NBC-TV, USA, 27 September 1989).

Back to the Future II

Back to the Future II

by Bob Gale, directed by Robert Zemeckis

Doc Brown takes Marty and Jennifer from 1985 to 2015 to save their children from a bad fate, but the consequences pile up when Biff also gets in on the time-travel action.
— Michael Main
The time-traveling is just too dangerous. Better that I devote myself to study the other great mystery of the universe—women!

Back to the Future II by Bob Gale, directed by Robert Zemeckis (at movie theaters, USA, 22 November 1989).

Time Was

by Nora Roberts

Time travel via a spaceship that got too close to an uncharted black hole. Our hero, Caleb Hornblower, survives to have a romance with Liberty Stone, a woman from a couple hundred years before he was born. The romantic element is definitely stronger than the science, but there are some interesting discussions about past versus future technology and different social norms. There’s also a fun ride on an aircycle! And a bit of comedy when Liberty’s parents arrive unexpectedly. But only the one time travel event is documented, so this remains heavier on the Romance than the Time Travel.

The story continues in a 1990 sequel, Times Change.

— Tandy Ringoringo
The cockpit lights went out, leaving only the whirl of kaleidoscopic colors from the instrument panel. His ship went into a spiral, tumbling end over end like a stone fired from a slingshot. Now the light was white, hot and brilliant. Instinctively he threw up an arm to shield his eyes. The sudden crushing pressure on his chest left him helpless to do more than gasp for breath.

Time Was by Nora Roberts (Silhouette, November 1989).

Times Change

by Nora Roberts

Jacob (J.T.) Hornblower, astrophysicist, deliberately travels back a couple of centuries to shake some sense into his brother Caleb, who had foolishly (in J.T.’s opinion) decided to stay in the past. A little more science than the first book in this duology, but still heavier on the romance angle, as J.T. finds himself strongly attracted to Sunbeam (Sunny) Stone. Both J.T. and Sunny are opinionated and bullheaded, as well as having blackbelts, so there is also more conflict in this book. The documented return trip to the future includes a brief description of physical side-effects.
— Tandy Ringoringo
And now he stood and wondered. If he dug for it, he would come upon the same box. The box that he had left with his parents only days before. The box would exist here, beneath his feet, just as it existed in his own time. As he existed.

If he dug it up now and carried it back to his ship, it would not be there for him to find on that high summer day in the twenty-third century. And if that was true, how could he be here, in this time, to dig it up at all?


Times Change by Nora Roberts (Silhouette, January 1990).

The Hemingway Hoax

by Joe Haldeman

Literature professor John Baird and conman Sylvester Castlemaine hatch a plan to get rich forging Hemingway’s lost stories, but before long, Baird is confronted by an apparent guardian of the many timelines in the form of Hemingway himself.
— Michael Main
I’m from the future and the past and other temporalities that you can’t comprehend. But all you need to know is that yiou must not write this Hemingway story. If you do, I or someone like me will have to kill you.

“The Hemingway Hoax” by Joe Haldeman, Isaac Asimov’s Science Fiction Magazine, April 1990.

Back to the Future III

Back to the Future III

by Bob Gale, directed by Robert Zemeckis

Marty and 1955-Doc travel back to the Old West where 1985-Doc is trapped along with various Biff ancestors and a possible love interest for Doc.
— Michael Main
Doc: [blowing train whistle] I’ve wanted to do that my whole life!

Back to the Future III by Bob Gale, directed by Robert Zemeckis (at movie theaters, USA, 25 May 1990).

Future Zone

written and directed by David A. Prior

John Tucker—a gunslinging cop in future Mobile, Alabama, played by David Carradine—is visited by thirty-year-old Billy who’s almost as quick on the draw as John. But—ah, Grasshopper—just where does the visitor’s prescient knowledge come from, and more to the point given the ending of the film: Who taught Billy to shoot?
— Michael Main
Tucker: Where’d you learn to shoot like that?
Billy: You might say I learned from the best.
Tucker: And who might that be?
Billy: You’d never believe me.

Future Zone written and directed by David A. Prior (direct-to-video, USA, 18 July 1990).

The Spirit of ’76

written and directed by Lucas Reiner

It would seem that singing about the girl whose ♫ head was lost in time ♫ wasn’t David Cassidy’s only intersection with time travelers. In the year 2176, three time travelers aiming for 1776 end up in the time of David Cassidy and disco instead.
— Michael Main
Channel Six, our foremost epistomological anthrosociologist has redlined and outlined you for a mission back in time.

The Spirit of ’76 written and directed by Lucas Reiner (at limited movie theaters, USA, 12 October 1990).

The Ray Bradbury Theater (s04e06)

Touch of Petulance

by Ray Bradbury, directed by John Laing

A faithful adaptation of Bradbury’s 1980 story of a man who returns to his warn his younger self about the future course of his marriage.
— Michael Main
We are one, the same person: Jonathan Hughes.

The Ray Bradbury Theater (s04e06), “Touch of Petulance” by Ray Bradbury, directed by John Laing (USA Network, USA, 12 October 1990).

Jacob’s Ladder

by Bruce Joel Rubin, directed by Adrian Lyne

Vietnam War vet Jacob might be experiencing time travel and a couple of alternative universes where he lives with a different wife in 1975 New York or where his dead son Gabe is alive again. But a full explanation of the events is never given in the plot, and it seems more likely to be the result of a government drug experiment, or maybe passing through Hell, or—most likely— a moment-of-death experience.
— Michael Main
Eckhart saw Hell too. He said the only thing that burns in Hell is the part of you that won’t let go of life, your memories, your attachments. They burn them all away, but they’re not punishing you, he said, they’re freeing your soul. So the way he sees it, if you’re frightened of dying and . . . and you’re holding on, you’ll see devils tearing your life away. But if you’ve made your peace, then the devils are really angels, freeing you from the earth. It’s just a matter of how you look at it, that's all. So don’t worry, okay? Okay?

Jacob’s Ladder by Bruce Joel Rubin, directed by Adrian Lyne (premiered at an unknown movie theater, Los Angeles, 29 October 1990).

Time Barbarians

written and directed by Joseph John Barmettler

In an ancient world of swords, sorcery, loin cloths, and bejeweled bikinis, an evil thief kills King Deran’s queen before escaping to modern-day Los Angeles. Since the thief also took a magic amulet with him, a loinclothless wizardess sends Deran after him to retrieve the amulet and avenge the queen’s brutal death.
— Michael Main
The man you seek is in this world no longer. You must travel to another time to find him.

Time Barbarians written and directed by Joseph John Barmettler (direct-to-video, USA, circa 1990).

Farside

Time Log

by Gary Larson

Hooting excitedly

“Time Log” by Gary Larson, The Far Side, 31 January 1991.

Terminator 2

Terminator 2: Judgment Day

by James Cameron and William Wisher, directed by James Cameron

Once more, the machines from 2029 send back a killer cyborg, this time a T-1000 to kill young John Connor in 1995, but Resistance-leader Connor of the future counters by sending a reprogrammed original T-800 to save himself.
— Michael Main
The T-800: [to Sarah at the Pescadero State Hospital] Come with me if you want to live.

Terminator 2: Judgment Day by James Cameron and William Wisher, directed by James Cameron (premiered at an unknown movie theater, Los Angeles, 1 July 1991).

Bill & Ted II

Bill & Ted’s Bogus Journey

by Chris Matheson and Ed Solomon, directed by Peter Hewitt

Two Evil Robots from the future are out to destroy Bill & Ted and their babes. After all that, the Two Great Ones begin a journey that starts with Death and ends with Two Little Ones.
— Michael Main
Look, after we get away from this guy, we use the booth. We time travel back to before the concert and set up the things we need to get him now.

Bill and Ted’s Bogus Journey by Chris Matheson and Ed Solomon, directed by Peter Hewitt (at movie theaters, USA, 19 July 1991).

The Ray Bradbury Theater (s05e06)

The Utterly Perfect Murder

by Ray Bradbury, directed by Stuart Margolin

I felt that Bradbury’s adaptation of his own 1971 story lost its impact by turning young Doug’s childhood tortures into clichéd scenes—and still leaving it up to the viewer to decide whether there’s a moment of time travel.
— Michael Main
Old Doug: Doug, Doug. . . . Come on out and play.

The Ray Bradbury Theater (s05e06), “The Utterly Perfect Murder” by Ray Bradbury, directed by Stuart Margolin (USA Network, USA, 7 February 1992).

Isabella of Castile Answers Her Mail

by James Morrow

A lovely series of letters between Christopher Columbus and Queen Isabella—as conveyed by messenger albatross in 1492!—describing a modern-day NYC, wondrous yet horrifying.
— Dave Hook

“Isabella of Castile Answers Her Mail” by James Morrow, Amazing Stories, April 1992.

Groundhog Day

by Danny Rubin and Harold Ramis, directed by Harold Ramis

In the quintessential time loop movie, jaded weatherman Phil Connors (no relation to John Connor) is in Puxtahawny to cover the Groundhog Day goings-on, continually repeating the day and—after losing his jaded edge—striving for Rita’s heart.
— Michael Main
So this will be the last time we do Groundhog together.

Groundhog Day by Danny Rubin and Harold Ramis, directed by Harold Ramis (premiered at an unknown movie theater, Los Angeles, 4 February 1993).

Sailor Moon (s02e36)

未来への旅立ち!時空回廊の戦い

Mirai e no tabidachi! Jikū kairō no tatakai English release: Journey to the Future: Battle in the Space-Time Corridor Literal: Departure for the future! Battle of the space-time corridor

by Sumisawa Katsuyuki, directed by Kosaka Harume

Sailor Moon and the gang travel to the Door of Space and Time where they hope to head to the future and rescue Chibiusa’s mommy. Sailor Pluto opens the Space-Time Door for them, which takes them to Planet Crystal Tokyo and a slew of baddies. Their adventure in the future is continued in the next few episodes, but we haven’t yet indexed those.
— Michael Main
So this is the Space-Time Corridor.

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Cloche vaine

English release: Empty ring Literal: Vain bell

by Francine Pelletier

At the end of her long successful writing career, a woman is still haunted by her sister’s death four decades earlier.
— Michael Main
We had talked about SF literature, books on the theme of going back in time. This was related to the activities of the day. During the convention, one of the guest scientists had stated that time travel was impossible.

[ex=bare]“Cloche vaine” | Vain bell[/ex] by Francine Pelletier, in Solaris 109, Spring 1994.

From Time to Time

by Jack Finney

Finney’s sequel to Time and Again initially finds Si Morley living a happy life in the 19th century with his 19th century family, while The Project in the future never even got started because he prevented the inventor’s parents from ever meeting. But vague memories linger in some of the Project member’s minds, and Morley can’t stay put.
— Michael Main
They’re back there in the past, trampling around, changing things, aren’t they? They don’t know it. They’re just living their happy lives, but changing small events. Mostly trivial, with no important effects. But every once in a while the effect of some small changed event moves on down to the—

From Time to Time by Jack Finney (Simon and Shuster, February 1995).

12 Monkeys

by David Webb Peoples and Janet Peoples, directed by Terry Gilliam

In the year 2035, with the world devastated by an artificially engineered plague, convict James Cole is sent back in time to gather information about the plague’s origin so the scientists can figure out how to fight it.
— Michael Main
If you can’t change anything because it’s already happened, you may as well smell the flowers.

12 Monkeys by David Webb Peoples and Janet Peoples, directed by Terry Gilliam (premiered at an unknown movie theater, New York City, 8 December 1995).

Sabrina, the Teenage Witch (s02e08)

Inna-Gadda-Sabrina

by Sheldon Bull, directed by Gary Halvorson

In a crossover involving all four of ABC’s Friday night family-friendly shows, Salem eats Sabrina’s time ball, sending their world back to the 1960s and sending each of the other shows’ characters to a different decade as well. You could argue that the time ball causes the whole culture to experience the world as if it were back in the 1960s rather than producing actual time travel.
— Inmate Jan
You hold it and your surroundings become whatever decade you think of.

Sabrina, the Teenage Witch (s02e08), “Inna-Gadda-Sabrina” by Sheldon Bull, directed by Gary Halvorson (ABC-TV, USA, 7 November 1997) \pt. 1 of the 1997 TGIF Crossover].

Boy Meets World (s05e06)

No Guts, No Cory

by Lara Olsen and Patricia Carr, directed by Alan Myerson

As part of ABC’s Friday night crossover, Salem (the cat from tag-4138 Sabrina) transports the Boy Meets World world to 1940s America where Cory, his dad, and Shawn all ship off to war.
— Michael Main
I don’t know how I would handle living back then. You know, I wonder what it was like during World War II.

Boy Meets World (s05e06), “No Guts, No Cory” by Lara Olsen and Patricia Carr, directed by Alan Myerson (ABC-TV, USA, 7 November 1997) \pt. 2 of the 1997 TGIF Crossover].

You Wish (s01e07)

Genie without a Cause

by Jeff Sherman, directed by Jeff McCracken

In the third part of ABC’s Friday night crossover, Sabrina’s cat Salem transports the You Wish gang to the 1950s Travis has a James Dean-ish drag race, Genie inspires a young Bob Dylan, and Salem tries to get a star on the Hollywood Walk of Fame for Felix the Cat.
— Michael Main
I hope this is the one where she stomps on the grapes.

You Wish (s01e07), “Genie without a Cause” by Jeff Sherman, directed by Jeff McCracken (ABC-TV, USA, 7 November 1997) \pt. 3 of the 1997 TGIF Crossover].

Teen Angel (s01e07)

One Dog Night

by Michael Price, directed by Gary Halvorson

The final part of ABC’s Friday night crossover took Salem the cat to Teen Angel’s house where he transports Teen Angel and the family back to the time of disco and, apparently, altered the course of the 1976 presidential election.
— Michael Main
Oh, honey, you can go any time. Disco’s gonna last forever.

Teen Angel (s01e07), “One Dog Night” by Michael Price, directed by Gary Halvorson (ABC-TV, USA, 7 November 1997) \pt. 4 of the 1997 TGIF Crossover].

You Wish (s01e09)

All in the Family Room

by Linda Mathious and Heather MacGillvray, directed by Jeff McCracken

Slighted by his sister, Travis uses Genie’s time travel portal to run away to a pirate ship.
— based on ShareTV

You Wish (s01e09), “All in the Family Room” by Linda Mathious and Heather MacGillvray, directed by Jeff McCracken (ABC-TV, USA, 29 May 1998).

You Wish (s01e13)

Gift of the Travi

by Daniel Paige and Sue Paige, directed by Jeff McCracken

When Genie gives each of the kids a Christmas wish, Mickey wishes for a white Christmas in LA, and Travis wishes that it would be Christmas every day. Yeah, like that ever works out.
— Michael Main
I wish every day was Christmas.

You Wish (s01e13), “Gift of the Travi” by Daniel Paige and Sue Paige, directed by Jeff McCracken (ABC-TV, USA, 24 July 1998).

Galaxy Quest

by David Howard and Robert Gordon, directed by Dean Parisot

Some TV shows (we won’t mention any names) live on for their fans decades after cancellation. The result might be that aliens think the heroes of these shows are real, in which case the aforementioned heroes could be kidnapped to rescue the aforementioned aliens (and to figure out whether the Omega 13 will destroy the universe in 13 seconds or reverse time for that aforementioned number of seconds).

Tim and I watched this at Lake Cushman during a trip to the northwest in 2003, and I was as surprised as anyone about how much we laughed at Tim Allen’s parody.

— Michael Main
Larado: Your orders, sir? [pause] Sir, your orders?
Commander Taggart: Activate the Omega 13. [To be continued . . .]

Galaxy Quest by David Howard and Robert Gordon, directed by Dean Parisot (at movie theaters, Canada, 23 December 1999).

SpongeBob SquarePants [s1:e14A]

SB-129

by Aaron Springer, Erik Wiese, and Mr. Lawrence, directed by Aarpm Springer et al.

The first of SpongeBob’s family to foray into time was Squidward, whose accidental cryofreeze took him two millennia into the future. Of course, even primitive sponges know that that was not actual time travel, but future-SpongeTrons point the six-limbed cephalopod to a time machine that took him on two actual time travel trips before returning him to his own time. No, we don’t know whether one of the future SpongeTrons is SB-129, but we do note that the production code for this episode was 2515-129.
— Inmate Jan
Well, why didn’t ya just ask? The time machine is down the hall and to the left.

“SB-129” by Aaron Springer, Erik Wiese, and Mr. Lawrence, directed by Aarpm Springer et al., from SpongeBob SquarePants [s01e14A], Nickelodeon (USA, 31 December 1999).

Deuxième vie

Literal: Second life

by Patrick Braoudé and Francis Palluau, directed by Patrick Braoudé

Shortly after the tragic French loss in the 1982 World Cup, an indecisive and depressed thirty-year-old Frenchman is thrown sixteen years into the future by a car crash, where he sees the French national team finally win a World Cup, and his ignoble future self shocks him into doing everything he can to go back to ’82 to ply a nobler course.
— based on Wikipedia

Deuxième vie by Patrick Braoudé and Francis Palluau, directed by Patrick Braoudé (VCU French Film Festival, Richmond, Virginia, 18 July 2000).

13 Going On 30

by Josh Goldsmith and Cathy Yuspa, directed by Gary Winick

Everything that could go wrong is going wrong for 13-year-old Jenna Rink. If only she could be already grown up in the future!
— Michael Main
I wanna be thirty and flirty and thriving.

13 Going on 30 by Josh Goldsmith and Cathy Yuspa, directed by Gary Winick (premiered at an unknown movie theater, Los Angeles, 14 April 2004).

Harry Potter 3

Harry Potter and the Prisoner of Azkaban

by Steve Kloves, directed by Alfonso Cuarón

Compared to the books, I find the Harry Potter movies drawn-out and boring, but I rewatched this one during the pandemic and found that I enjoyed all three thirteen-year-olds as well as Hagrid, Sirius, Snape, Lupin, and—most of all—the fact that the filmmakers didn’t blithely destroy the single static timeline out of a misplaced sense that time travelers are meant to change the timeline willy-nilly.
— Michael Main
Hang on! That’s not possible. Ancient Runes is at the same time as Divination. You’d have to be in two classes at once.

Harry Potter and the Prisoner of Azkaban by Steve Kloves, directed by Alfonso Cuarón (premiered at an unknown movie theater, New York City, 23 May 2004).

The Santa Clause 3

The Escape Clause

by Ed Decter and John J. Strauss, directed by Michael Lembeck

Now that Santa and Mrs. Claus have the North Pole running smoothly, the Counsel of Legendary Figures has called an emergency meeting on Christmas Eve! The evil Jack Frost has been making trouble, looking to take over the holiday! So he launches a plan to sabotage the toy factory and compel Scott to invoke the little-known Escape Clause and wish he'd never become Santa.
— from publicity material
This is the part where I’m transported through time and everything goes back to the way it was, like I’d never become Santa at all.

The Santa Clause 3: The Escape Clause by Ed Decter and John J. Strauss, directed by Michael Lembeck (at movie theaters, Germany, 2 November 2006).

This Must Be the Place

by Elly Bangs

At a bar, Andrea meets a loopy man who seems to already know her; he leaves a mysterious message on a napkin, which turns out to be a hint about their next meeting where the man is younger and no longer knows her.
— Michael Main
If I had the power to decide never to meet him again, I reasoned, surely I had the power to change the course of the relationship for the better.

“This Must Be the Place” by Elly Bangs, in Strange Horizons, 2 February 2009.

Time’s Arrow

by Geeoff Hart

A physicist with a dead girlfriend experiences various precognition episodes leading up to his attempt to travel to the past to undead the girlfriend, or at least plant the seeds for the precognition.
— Michael Main
I’m certain I didn’t send myself any mail recently, but then again, I have plans to do so in the near future—or near past, I suppose.

“Time’s Arrow” by Geeoff Hart, in Short Stories by Geoff Hart (no specified publisher, added 10 February 2009) [ongoing e-collection at www.geoff-hart.com/fiction/short-stories/, accessed 20 December 2021[/d[/ex].

When You Reach Me

by Rebecca Stead

Miranda has an odd friend named Marcus who knows a lot about time machines, another friend named Sal who has stopped hanging out with her, and a man—not really a friend—who sleeps under the mailbox out front. And then there are those mysterious notes from someone who seems to know quite a lot, but also needs her to write about everything that’s happening in her twelve-year-old life.
— Michael Main
So if they had gotten home five minutes before they left, like those ladies promised they would, then they would have seen themselves get back. Before they left.

When You Reach Me by Rebecca Stead (Wendy Lamb Books, July 2009).

The Girl Who Leapt through Time #3

時をかける少女

Toki o Kakeru Shojo English release: Time Traveller: The Girl Who Leapt through Time Literal: Time-soaring girl

by 菅野友恵, directed by 谷口正晃

In this second sequel to Yasutaka Tsutsui’s 1965 novel 時をかける少女 em]The Girl Who Leapt through Time[/em, Naka Riisa plays the daughter, Akari, of a grown-up Kazuko (the original “girl who leapt through time”). Akari tries to leap back to the time of her mother’s first love, Kazuo, in hopes that he can bring her mom out of a coma induced by a car accident.

The actress Naka Riisa has another connection to time-leaping girls: In the first sequel to the original novel, , a 2006 anime adaptation, Riisa voiced the lead character, Makoto, who was Kazuko’s niece. So if I have this right: The original leaper is Kazuko; Kazuko’s niece Makoto is the leaper in the 2006 anime; and Kazuko’s daughter Akari is the leaper in the 2010 live-action movie. So in some sense, Riisa is her own cousin.

— Michael Main
So you believe me? You’re an SF geek, right?

[ex=bare]時をかける少女 | Time-soaring girl | Toki o kakeru shojo[/ex] by 菅野友恵, directed by 谷口正晃 (at movie theaters, Japan, 13 March 2010).

Rocking My Dreamboat

by Victorya Chase

Jameson is a jerk. He pretends to love his mother, with whom he shares a house. He discovers time travel via a Legoland Time Machine and uses it to destroy women who “dumped” him. Yep, this guy is a real “winner.”
— Tandy Ringoringo
He looked at the sole red logo and decided it was the on button. He thought about where he’d like to be, and pushed.

“Rocking My Dreamboat” by Victorya Chase, in Timelines: Stories Inspired by H.G. Wells’ The Time Machine, edited by J. W. Schnarr (Northern Frights Publishing, September 2010).

SpongeBob SquarePants Mini 68

Lessons Learned

[writer and director unknown]

SpongeBob and faithful Patrick use the boxy time machine from “SB-129” to travel back and give advice to their younger selves.
— Michael Main
Patrick, with this time machine, we can go back to the past and make our young selves wiser!

“Lessons Learned” [writer and director unknown] (SpongeBob SquarePants Mini 68, Nickelodean (USA, 14 June 2011).

Anna Green 1

Time between Us

by Tamara Ireland Stone

Somewhat self-absorbed 16-year-old Anna Green manages to fall for the first time traveler she ever meets, not realizing that he’s a time traveler or that he’s hoping his mission to 1995 will be a short-term affair.
— Jeff Delgado
It’s too easy for me to say the wrong thing today, and if I do, we may never meet at all

Time between Us by Tamara Ireland Stone (Hyperion Books, October 2012).

Insidious 2

Insidious: Chapter 2

by Leigh Whannell, directed by James Wan

The first scene goes back to the time of Josh (the dad in Insidious) as a boy when he was possessed by a woman in white. The movie then returns to the present day, just after a possessed Josh murdered the exorcist who had treated him as a child, and gives a horrific, supernatural explanation of it all—including time travel via a demon world of non-linear time.
— Michael Main
I, uh, digitized the actual footage taken from the night. I, uh, cropped and lightened the image.

Insidious: Chapter 2 by Leigh Whannell, directed by James Wan (at movie theaters, USA etc., 13 September 2013).

The Boy in His Winter

by Norman Lock

After Huck Finn and Jim fall asleep on an appropriated raft in Hannibal, Mo., they find themselves floating down the Mississippi for decades without ever aging a day themselves.
— Michael Main
We came by the raft dishonestly. We’d only meant to do a little fishing. It was cool and nice under the big willow with its whips trailing over the water. Christ, it was a scorcher of a day. The whole town must have fallen asleep, along with Jim and me. When we finally did wake, if we ever did, the raft was too far along in space and time to return it. We could no longer reverse ourselves, our motions in all five dimensions, than fly to the moon.

The Boy in His Winter by Norman Lock (Bellevue Literary Press, May 2014).

Magic Tree House: Merlin Mission 24*

Soccer on Sunday

by Mary Pope Osborne

Jack and Annie search for the fourth secret of greatness for Merlin in Mexico City at the 1970 World Cup Games. They hope to learn something new from soccer player great, Pele.
— based on fandom.com

Soccer on Sunday by Mary Pope Osborne (Random House, May 2014) [print · e-book].

Videoville

by Christopher East

In late 1986, geek Tim Stanek (he prefers the term “nerd”) and his high-school buddy Louis are approached one night by an unheard-of sort of person: a sensitive and inclusive football jock who asks them to come with him on a mission that needs their particular kind of resourcefulness.
— Michael Main
AAPL, AMZN, GOOG, NFLX

“Videoville” by Christopher East, in Asimov’s Science Fiction, December 2014.

12 Monkeys, Season 1

written by Terry Matalas, Travis Fickett, et al., directed by multiple people

Same pandemic backstory as the movie, similar names for the characters, no Bruce Willis, and a mishmash of time-travel tropes along with tuneless minor-key chords in place of actual tension and slowly spoken clichéd dialogue in place of actual plot. Random discussions of fate brush shoulders with an admixture of possible time travel models from narrative time (when a wound sprouts on old JC’s shoulder while watching young JC get shot), to skeleton timelines (JC thinks that his timeline will vanish if he succeeds), to a fascination with a single static timeline (you’ll see it in Chechnya) and time itself has an agenda. Primarily, we’d say that the story follows narrative time from Cole’s point of view.

By the end of the first season, one principal character has seemingly been trapped in the 2043, and Cole is stuck in 2015, having just gone against fate in a major way, but with a third principal character poised to spread the virus via a jet plane.

P.S. Whatever you do, whether in narrative time or elsewhen, don’t bring up this adaptation as dinnertime conversation with Terry Gilliam (but do watch it if you can set aside angst over a lack of a consistent model and just go with Cole’s flow).

— Michael Main
About four years from now, most of the human race will be wiped out by a plague, a virus. We know it’s because of a man named Leland Frost. I have to find him.

—from “Splinter” [s01e01]


12 Monkeys, Season 1 written by Terry Matalas, Travis Fickett, et al., directed by multiple people (SyFy, USA, 16 January 2015 to 10 April 2015).

The Age of Adaline

by J. Mills Goodloe and Salvador Paskowitz, directed by Lee Toland Krieger

Adaline lives most of the 20th century and into the 21st, all at age 29 with no actual time travel.
— Michael Main
Tell me something I can hold onto forever and never let go.

The Age of Adaline by J. Mills Goodloe and Salvador Paskowitz, directed by Lee Toland Krieger (at movie theaters, Belgium, 8 April 2015).

The Rift

by Don Handfield, Richard Rayner, and Leno Varvalho

The crash of a 1941 World War II plane in a 21st-century Kansas field sets off a chain of plots and subplots involving the pilot, a mother on the run, a precotious young boy, a government agency, and multiple jumps through a time rift.
— Michael Main
Smoke billows into a bright blue sky scarred by a rip in the heavens—what we’ll come to know as . . . The Rift

The Rift, 4 pts. by Don Handfield, Richard Rayner, and Leno Varvalho (Red 5 Comics, January–April 2017).

1989

by Shakir Ameed, directed by Shakir Ameed and Rifat Mohammed

What are you to do when you fail your high school final exams? In Shakir’s case, he decides to get his friend’s friend to send him back in time a few months to give himself a copy of the exam papers, which seems like a good plan if only he would listen to the warnings about not returning before he leaves.
— Michael Main
What do we do now? Your exams are already over, right?

1989 by Shakir Ameed, directed by Shakir Ameed and Rifat Mohammed (Youtube: Shakir Ameer Channel, 29 June 2017).

Creeped Out (s01e05)

A Boy Called Red

by Bede Blake and Robert Butler, directed by Steve Hughes

After his parents break up, Vincent visits his Dad’s childhood home where Auntie Jeanne encourages him to explore—without even putting that cursed well off limits, the very well where Dad lost his best friend back in the summer of ’85!
— Inmate Jan
When your dad was younger, he had a best friend, a boy called Red. Red disappeared down that well.

Creeped Out (s01e05), “A Boy Called Red” by Bede Blake and Robert Butler, directed by Steve Hughes (CBBC-TV, UK, 28 November 2017).

7 Splinters of Time

written and directed by Gabriel Judet-Weinshel

While on medical leave for his mental health, police detective Darius Lafaux is called back in to investigate a case that turns into multiple murders of men who look exactly like himself.
— Michael Main
Alise: You died ten years ago.
Darius: I was born ten years ago.

7 Splinters of Time written and directed by Gabriel Judet-Weinshel (Cinequest, 3 March 2018).

Here and Now and Then

by Mike Chen

When time travel agent Kin Stewart finds himself rapidly losing his memory and stranded in 1996, he writes a journal of his life in the future and proceeds to break every rule in the book by creating a new life and family in his new present . . . until a retriever shows up in 2014.
— Michael Main
Science fiction. She thought the journal was filled with tales, like her Doctor Who or Heather’s Star Trek shows.

Here and Now and Then by Mike Chen (Mira, January 2019).

The Future of Another Timeline

by Annalee Newitz

Tess is a geologist (because, of course, geologists control the time travel of the giant ancient machines) and a member of the Daughters of Harriet (Senator Harriet Tubman, that is, from 19th-century Mississippi). On the surface, the Daughters are time travel scholars, but in reality, Tess and her fellow Daughters are fighting a pitched changewar for women’s rights against the oppressors known as the Comstockers. One more thing: While she’s at it,Tess also hopes to also save the souls of her teenaged self and her underground feminist punk friends in the 1990s, with a particular focus on their vigilante killing spree and young Beth’s abortion.
— Michael Main
All five Machines had limitations, but the hardest to surmount was what travelers call the Long Four Years. Wormholes only opened for people who remained within twenty kilometers of a Machine for at least 1,680 days.

The Future of Another Timeline by Annalee Newitz (Tor, September 2019).

Terminator 6

Terminator: Dark Fate

by David S. Goyer et al., directed by Tim Miller

After the excitement of T2, you’d have thought that Sarah Connor and her son John could have settled down for a well-deserved, peaceful life. But, no: First a leftover T-800 Model 101 Terminator kills young John, and then 20 years later, Sarah meets two new characters—young Dani Ramos and an enhanced woman from the future—who are running from a new kind of terminator built by a new kind of Skynet. Certainly a fun T-romp, cast in the mold of T2, but really?!, if those johnny-come-lately millennial writers wanna live, they can’t be messing with the come-with-me line.
— Michael Main
Grace: [to Dani and Diego at the car assembly plant] Come with me or you’re dead in the next 30 seconds.

Terminator: Dark Fate by David S. Goyer et al., directed by Tim Miller (at movie theaters, UK and elsewhere, 23 October 2019).

Oona Out of Order

by Margarita Montimore

On Oona Lockhart’s 19th birthday, her mind leaps into her 51-year-old body where she learns that she’s fated to leap into a random year on every coming birthday, living each year once in a normal manner except for her discontinous consciousness.
— Michael Main
Do I ever find any kind of stability? Or do I live life year after year like some kind of existential hobo?

Oona Out of Order by Margarita Montimore (Flatiron Books, February 2020).

The Umbrella Academy, Season 2

by multiple writers and directors

Five’s plan for the Umbrella siblings to escape the apocalypse by going into the past ends up scattering them throughout different years of Dallas in the 1960s. They manage okay on their own until shortly after 11/22/63, when secondary effects from changes to the timeline cause a nuclear holocaust that can be averted only by recently arrived Five jumping back to 11/15/63 to exert his unique charm into getting the gang to work together.
— Michael Main
Hazel to Five: If you want to live, come with me.”

The Umbrella Academy, Season 2 by multiple writers and directors, ten episodes (Netflix, USA, 31 July 2020).

The Christmas Chronicles 2

by Matt Liebermann and Chris Columbus, directed by Chris Columbus

Two years after the first Christmas Chronicles movie, young Kate Pierce is sitting on a beach in Cancun, missing her father and losing her status as a True Believer, all of which causes her to try flying back to Boston on her own—a plan that plays right into evil Belsnickel’s plan to overthrow Santa Claus and Mrs. Santa Claus.
— Michael Main
Santa: [shaking head] Only Belsnickel would power a time machine with triple-A’s.

The Christmas Chronicles 2 by Matt Liebermann and Chris Columbus, directed by Chris Columbus (at movie theaters, USA and elsewhere, 25 November 2020).

Best. Scientist. EVER.

by Omar Velasco

You head out on a quick, rollicking ride back through time, with an unknown pursuer and an ambiguous conclusion.
— Tandy Ringoringo
You come to the conclusion that you can correct everything if you stop yourself before you steal the time machine.

“Best. Scientist. EVER.” by Omar Velasco, Daily Science Fiction, 8 December 2020 [webzine].

Time Traveler at the Grocery Store circa 1992

by Kristian Macaron

Twentieth-century grocery store aisles provide a vision of a world of dust that's coming.
— Michael Main
Some days it’s hard to believe that there’s not something wrong with the lettuce.

“Time Traveler at the Grocery Store circa 1992” by Kristian Macaron, Asimov’s Science Fiction, March/April 2021.

Lost between the Plates

by Benjamin Abbott

A woman seems to be chasing someone via random jumps through time.
— Michael Main
I’ve been chasing him for years and forever. Spinning through time and space without a sail.

“Lost between the Plates” by Benjamin Abbott, Daily Science Fiction, 21 May 2021 [webzine].

Loki, Season 1

by Michael Waldron et al, directed by Kate Herron

Hang on to your Tesseracts! Apparently, in Endgame[/em], when the Avengers traveled back to 2012 to swipe various things from the 2012 Avengers, they inadvertantly started a branch in time where Loki ended up with the Tesseract. Of course, once that occurred, the Time Variance Authority quickly spotted him as a Deviant and quickly recruited him to help in their fight against even more deviant Deviants.
— Michael Main
Appears to be a standard sequence violation. Branches growing at a stable rate and slope. Variant identified.

Loki, Season 1 by Michael Waldron et al, directed by Kate Herron (Disney+, worldwide, 9 June 2021 to 14 July 2021 [6 episodes]).

Fantasy Island (r3s01e03)

Quantum Entanglement

by Adria Lang, directed by Kimberly McCullough

The new Fantasy Island inches closer to actual time travel when Elana helps “invisible” Eileen understand her relationship with her grown daughter by acting as a Dickensian guide and showing Eileen how her daughter experienced growing up. And young Ruby receives news of how her family is managing without her.
— Michael Main
Eileen: She absolutely loved it here.
Elena: Are you sure?

Fantasy Island (v3s01e03), “Quantum Entanglement” by Adria Lang, directed by Kimberly McCullough (Fox-TV, USA, 24 August 2021).

Fantasy Island (r3s01e07), pt. 2

The Bromance

by Mary Angelica Molina and Adam Belanoff, directed by Laura Belsey

Brian Cole, a hard-core survivalist, faces his greatest challenge: working with and understanding his own young self.
— Michael Main
I might be you, but I’m not a moron.

Fantasy Island (v3s01e07), seg. 2, “The Bromance” by Mary Angelica Molina and Adam Belanoff, directed by Laura Belsey (Fox-TV, USA, 14 September 2021).

Flashback

written and directed by Caroline Vigneaux

After high-powered lawyer Charlie Leroy gets her client cleared from a rape charge by claiming that the accuser’s lacy underwear was consent to have sex, Charlie finds herself transported by a divine cabdriver to historical moments that were key for women’s rights.
— Michael Main
Attends . . . si maman n'épouse pas papa, je vais pas naître. Je viens de me tuer.
Wait . . . if Mom never marries Dad, I won’t be born. I just killed myself.
English

Flashback written and directed by Caroline Vigneaux (Amazon Prime, 11 November 2021).

This Time Tomorrow

by Emma Straub

After turning forty in a snit because of her career decisions, her unexciting boyfriend, and her dying father, Alice Stern wakes up on her 16th birthday in her teen body.
— Michael Main
“I know it’s your birthday,” Leonard said. “You’ve made me watch Sixteen Candles enough times to ensure that I wouldn’t let this one slide.”

This Time Tomorrow by Emma Straub (Riverhead Books, May 2022.

The Umbrella Academy, Season 3


After stopping the JFK-induced apocalypse in Season 2, the six Umbrella siblings return to 2019 where they no longer exist and their still-living father has founded The Sparrow Academy in their stead.
— Michael Main
Well, someone killed our mothers, so we shouldn’t exist, but clearly we do exist, and the universe can’t handle it, which is a problem.

The Umbrella Academy, Season 3 (Netflix, 22 June 2022).

Crazy

by Don Tassone

While in a coma, a patient hears everything in the hospital room for 50 years.
— Michael Main
But I heard everything, and I followed what was happening in the world.

“Crazy” by Don Tassone, Daily Science Fiction, 14 July 2022 [webzine].

Ghosts of Christmas Always

by Zach Hug and Annika Marks[/urlx, directed by Rich Newey

This time around, the usual three ghosts are only one of the many three-ghost teams who are given a yearly assignment to scrooge one of the many Scrooges who seem to be more numerous than ever before. Together with their 2022 assignment—Peter Baron, an unsatisfied son of a food baron—they provide a nice tear-jerker for the entire family.
— Michael Main
He’s like the anti-Scrooge.

Ghosts of Christmas Always by Zach Hug and Annika Marks[/urlx, directed by Rich Newey (Hallmark Channel, USA, 30 October 2022).

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