First the Soviets and the Westerners fought. Then the Westerners brought Schonerman’s killer robots into the mix. Then the robots fought both human sides. You know all that from Dick’s earlier story, “Second Variety.” But now it’s long after the desolation, long enough that Caleb Ryan and his financial backer Kastner are willing to bring back the secret of Schonerman’s robots from the past to make their world a better place for surviving mankind, including Ryan’s visionary son Jon.

Andrew Harlan, Technician in the everwhen of Eternity, falls in love and starts a chain of events that could lead to the end of everything.

Tess is a geologist (because, of course, geologists control the time travel of the giant ancient machines) and a member of the Daughters of Harriet (Senator Harriet Tubman, that is, from 19th-century Mississippi). On the surface, the Daughters are time travel scholars, but in reality, Tess and her fellow Daughters are fighting a pitched changewar for women’s rights against the oppressors known as the Comstockers. One more thing: While she’s at it,Tess also hopes to also save the souls of her teenaged self and her underground feminist punk friends in the 1990s, with a particular focus on their vigilante killing spree and young Beth’s abortion.

In an alternate history leading up to a 1945 atomic bomb in southern California, young Billie “the Kid” Davis grows up in the mid-20th century, playing shortstop better than any of the boys, flying B-25s with her Dad, and eventually—with Moe Berg and the woman-with-many-names—taking on that bomb.