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The Fourth-Dimensional Demonstrator

by Murray Leinster

Pete Davidson has inherited all the properties of an uncle who had been an authority on the fourth dimension, including the Fourth-Dimensional Demonstrator that can pull copies of matches, coins, dollar bills, fiancées, and kangaroos out of the past.
— Michael Main
“These,” said Pete calmly, “are my fiancée.”

“The Fourth-Dimensional Demonstrator” by Murray Leinster, Astounding, December 1935.

Paycheck

by Philip K. Dick

Apparently, Jennings agreed to work as a specialized mechanic for two years at Rethrick Construction, having his memory wiped at the end in return for 50,000 credits—except instead of a bag full of credits, the memory-wiped Jennings is left holding a bag of seven trinkets and no idea why he would have agreed to such a thing.
— Michael Main
But the big puzzle: how had he—his earlier self—known that a piece of wire and a bus token would save his life? He had known, all right. Known in advance. But how? And the other five. Probably they were just as precious, or would be.

“Paycheck” by Philip K. Dick, Imagination, June 1953.

The Twilight Zone (r1s01e26)

Execution

by Rod Serling, directed by David Orrick McDearmon

Back in the 1880s, just after a man without conscience is dropped from a lone tree with a rope around his neck, a scientist pulls him into 20th-century New York City.

Serling wrote this script based on a George Clayton Johnson’s bare bones, present-tense treatment for a TV script, complete with an indication of where the commercial break should go. For this episode, Serling filled in the flesh and cut the fat from a bare bones, present-tense treatment by George Clayton Johnson. The treatment appeared in Johnson’s 1977 retrospective collection of scripts and stories, and in Volume 9 of Serling’s collected Twilight Zone scripts, Johnson commented that “Rod took my idea and went off to the races with it. He had a remarkable knowledge of what would and wouldn’t work on television, and he took everything that wouldn’t work out of ‘Execution’. He worked like a surgeon; a little snip here, a complete amputation over there, move this bone into place, graft over that one. When he was done, my little story had grown into a television script that lived and breathed on its own.” Serling also added a nice twist at the end that, for us, warranted the TV episode an Eloi Honorable Mention.
Rod Serling wrote this script based on a 1960 Twilight Zone episode of the same name, but I’m uncertain whether the story was published before Johnson’s 1977 retrospective collection.

— Michael Main
Caswell: I wanna see if there are things out there like you described to me. Carriages without horses and the buildings that rise to—

Professor Manion: They’re out there, Caswell. . . . Things you can’t imagine.


The Twilight Zone (v1s01e26), “Execution” by Rod Serling, directed by David Orrick McDearmon (CBS-TV, USA, 1 April 1960).

The Twilight Zone [s1e30] (treatm.ent)

Execution

by George Clayton Johnson

Back in the Old West, just after outlaw Jason Black is dropped from a lone tree with a rope around his neck, two scientists pull him into the 20th century. The story isn’t your typical short story; instead, it’s a treatment that Johnson presented to Rod Serling for a Twilight Zone episode that aired on 1 April 1960.
Listen to me. There is a strange world outside that door. Without us to help you, anything can happen to you. This is the twentieth century, don’t you understand?

“Execution” by George Clayton Johnson, in A Collection of Scripts and Stories written for “The Twilight Zone” by George Clayton Johnson, limited edition of 100 looseleaf copies (Valcour and Krueger, 1977).

as of 7:31 a.m. MDT, 19 May 2024
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