He nodded. “It could be,” he said, “since, in the absence of any real passage of time, it would be in temporal ratio to our involvement in our pasts, which might force it into a different time plane altogether.”
This 28-minute photo montage with about 1,200 words of narration has a nice seed of an idea, but I find it insulting to other talented filmmakers that Time magazine ranked this sketch of a film as #1 in their 2010 list of best time travel movies.
“Dragonrider,” which was first released as a two-part Analog serial (December 1967 and January 1968), was the second Pern story, appearing after the shorter novella “Weyr Search” (October 1967). Together, the two stories formed the first Pern novel, Dragonflight (1968). When the online version of the ITTDB was in a nascent stage, my friend Allison Thompson-Brown reminded me that the dragons can travel to a new when as well as a new where, and that time travel first appeared near the end of “Dragonrider.” Time travel on Pern occurs in a single, static timeline, so the dragons and their riders can never change anything known to be certain in the past.
Robinton’s eyes widened as he digested this astonishing news.
“That is how we forestalled the attack on Nerat yesterday morning. We jumped back two hours between times to meet the Threads as they fell.”
Allison Thompson-Brown reminded me that dragons can go when as well as where, and the travel through time always results in a stable time loop, so that dragon travel can never change anything known to be certain in the past. The actual whening part (or going between time, as it’s called) didn’t come until the third installment (Part 2 of “Dragonrider” in the Jan 1968 Analog), but I’ll date the concept back to the slightly earlier appearance of the first story (“Weyr Search” in Oct 1967). The two stories were fixed up into the first Pern novel, Dragonflight, in July of 1968, but it was another ten years before I discovered it.
Robinton’s eyes widened as he digested this astonishing news.
“That is how we forestalled the attack on Nerat yesterday morning. We jumped back two hours between times to meet the Threads as they fell.”
After Smith’s death in 1966, the story was completed by his wife, Genevieve Linebarger, and sold to Harlan Ellison’s The Last Dangerous Vision, but that anthology was endlessly delayed. So in 1987, a translated version of the story was published in a French collection of Smith’s stories, and that was the first published version (although we’ve listed it as an English story, since that’s how it was written). The English version was finally published in Smith’s 1993 complete short science fiction collection by NESFA. By then, Ellison’s rights to the story had expired, although that didn’t stop him from suing NESFA.
The film did a good job of bringing Brian Aldiss’s book’s premise to the screen, with a better pace than the book, but the short dream sequences were ineffective for me and Dr. Frankenstein is more of a clichéd villain than in the book.
I recognized the theory—it’s the one on which time travel is based, even though we’ve never discovered time travel, at least not in any useful way, and researchers all over the universe discourage experimentation in it. They prefer the other theory of time travel, the one that says time is not linear, that we only perceive it as linear, and to actually time travel would be to alter the human brain.
But what Squishy is telling me is that it’s possible to time travel, it’s possible to open small windows in other dimensions, and bend them to our will.
P.S. Don’t skip the end-credits!